SONATINE FOR FLUTE AND PIANO. BY PIERRE BOULEZ. A Written Document. Submitted to the Graduate Faculty of the. Louisiana State University and. Sonatine: Pierre Boulez: In his Sonatine for flute and piano (), the tone imitations and canons progress so quickly as to leave an impression merely of. Boulez: Sonatine For Flute & Piano, Etc / Ensemble with Aimard, Pierre- Laurent, Cherrier, Sophie on CD. Order from your preferred classical music CD store.
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Gramophone’s expert reviews easier than ever before. Song of a Desert Bird: Snatine you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database. The piece itself is rather short, but full of energy, with huge melodic leaps, sharp rhythmic and tempo contrasts, and an aggressive quality which never lets up until the conclusion of the piece.
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The Schoenberg work is written in a post-Romantic style, while the Sonatine is most definitely serialism at its finest. The first five-note theme which appears in the flute part does show up in various stages throughout the piece; keeping the piece united, these act as a landmark throughout the piece.
Skip to main content. Genre Chamber Music Classical. Romantic Evening Sex All Themes. Streams Videos All Posts. Boulez himself has stated the work along with its counterpart, the First Piano Sonata draws a fair amount from Schoenbergspecifically his Chamber Symphony. Le Domaine Musical, Composition Artist Credits Sonatine. Chant de Linos; Boulez: In both Densite The all-time greats Read about the artists who changed the world of classical music.
Also, he has limited some of his divisions of the twelve tones into groups of five, five, and two, with the use of the motif tritone to fifth.
Pierre Boulez: Sonatine
Throughout most of the work, there is no true connective tissue between the flute and piano parts past the pitch choices, which perhaps leaves the variations on tempo, texture, and timbre as the unifying structure to the entire work. And, with the minor reservations mentioned above, that goes for the performances, too. While it’s true that Boulez may have gotten the core of this idea from Schoenbergit has a life of its own in Boulez ‘ hands. Georges Barrere, for whose platinum flute Varese wrote his ground-breaking Densite The French Avant-Garde in the 20th Century.
Boulez: Sonatine, Piano Sonata No. 1
The twelve-tone materials used in this work are easily seen by a quick look at the flute opening. The piece gets its life from the constant push and pull of the tempo.
The Sonatine was written on commission for flutist Jean-Pierre Rampalwho curiously never played it because of his extreme dislike for the work. Boulez ‘ writing is twelve-tone in its basic pitch material, and virtuosic in its use of the timbres, unique combinations of textures, shifts in dynamic accents, etc.
From this work of his predecessor, Boulez took, more than anything else, the idea of “the metamorphosis of a single theme”. Le Domaine Musical, Vol. But here sonaine proof that atonality can be fun. Upon closer examination, it also appears that the choice of intervals used is limited to major thirds, sevenths, tritones and perfect fifths.
Boulez: Sonatine for flute and piano (page 1 of 2) | Presto Classical
While much of the music of Boulez depends upon serial boulea twelve tone techniques, there is no doubt that his use of these techniques is unique. Drinking Hanging Out In Love.
Sonatine; Piano Sonata No. The Now and Present Flute. Share on facebook twitter tumblr.
Sonatine, for flute & piano | Details | AllMusic
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Jazz Latin New Age. It is rare that a complete statement of the entire twelve tones be completed in one of Boulez ‘ works; however, we get a rare glimpse of this unique entity here.