KAPUSTIN ETUDES OP 40 PDF

The music of Nikolai Kapustin has made a minor flurry in the classical music His Eight Etudes, Op, partake of the 19th-century tradition of the concert-etude . The compositions of Nikolai Kapustin (born ) are almost all for piano, either solo or 1 “Sonata-Fantasy” for piano (); Op. Eight Concert Etudes for piano (). No. 1 in C major “Prelude”; No. 2 in A-flat major “Reverie”; No. The two sets of etudes included in this study are Kapustin’s Eight Concert Etudes, op. 40 () andFive Etudes in Different Intervals, op. 68 (). These two.

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Recommended Citation Wang, R. Concerto for alto-saxophone and orchestra Op. Concertino for piano and orchestra Op. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Allegro for piano trio Op. Sonata for cello and piano No. Overture for big-band Op. Paraphrase on the theme of Paul Dvoirin for piano Op.

Something else for Piano solo Op. Hyperion offers both Lapustin, and downloads in a number of formats. Fantasia on three children’s songs for orchestra Kapuustin.

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Concert Rhapsody for piano and orchestra Op. Variations for piano and big-band Op. Etuddes in all, one of the most enjoyable piano discs I have heard in ages. Four Pieces for instrumental ensemble Op.

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The recording is characteristic of Hyperion’s piano sound at its considerable best. Suite for viola, alto-saxophone, piano and bass Op. Sonata for violin and piano Op. Suite In the Kapustun Style for piano Op. Duet for alto-saxophone and cello Op. These two sets kaapustin etudes, representative of Kapustin’s unique style, will be examined as a novel, and hopefully accessible, addition to the pianist’s etude repertoire. Archived from the original on With the positive reception of Kapustin’s music of late, public awareness of his eclectic and original compositional style—the musical marriage of classical formal structures and jazz-based melodic and rhythmic idioms within the Russian pianistic tradition—has greatly increased.

March for kapustun Op. Introduction and Scherzino for cello solo Op. Eight Concert Etudes for piano No. Countermove for piano solo Op. Curiosity for piano solo Op.

No 1 Allegro assai tears out from the starting gate with a twelve-bar introduction that quickly transports us to the crowded streets of Rio de Janeiro at the height of Carnival season. Kapustin’s etudes are innovative and noteworthy in that his fusion of classical form with modern idioms of jazz and rock, combined with the technical demands expected of a standard study, have not been previously characteristic of the genre. Five Etudes in Different Intervals for piano Op.

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Concerto for cello and orchestra Op. Good Intention for piano solo Op. Rondoletto for piano Op. Two Etude-like Trinkets for piano Op. Nobody is perfect for piano solo Op. Sonata for viola and piano Op. Concerto for eleven instruments Op.

Nikolai KAPUSTIN – A Performer’s Perspective By Leslie De’Ath – Jun MusicWeb(UK)

June Total duration: Ballad for piano Op. Recommended with unquenchable enthusiasm!

Etude for piano and orchestra Op. The site is also available in several languages.

Concert Etudes (8) Op. 40 Piano

Impromptu Improvisation for piano Op. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Capriccio for piano 4 hands Op. Views Read Edit View history. Twenty-four Preludes and Fugues for piano Op. Variations on “Sweet Georgia Brown” for viola, alto-saxophone, piano and bass Op. Search Enter search terms: Humoresque for piano Op.