KENT KENNAN TRUMPET SONATA PDF

Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. show how the trumpet sonatas by George Antheil, Kent Kennan, Halsey Stevens, and. Burnet Tuthill are both distinctly American and unmistakably from the. Kent Wheeler Kennan was an American composer, author, educator, and professor. Giuseppe Galante – Kent Kennan: Sonata for Trumpet and Piano: I. With.

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Movement II — Rather Slowly and with Freedom The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden All of the themes from the exposition are written in the recapitulation Dearden This article on a United States composer born in the 20th century is a stub.

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University of Maryland, This theme is only in the piano part Dearden Soonata second theme starts in the trukpet with an ostinato line over a pedal a D, followed by the trumpet two measure later, playing the main motive that was introduced in the first movement Dearden He also uses some displaced accents to make it sound as though it is in a different meter than the one in which it is written Dearden By using this site, you agree to the Terms of Use and Privacy Policy.

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Movement III — Moderately Fast, with Energy Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden The Coda The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden The return of the first theme is very similar to the first time it is stated, but it is transposed down a half step and the piano accompaniment is different Dearden From Wikipedia, the free encyclopedia.

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The piano part during this first theme is mostly comprised of chords that are moving in patterns that are traditional chord progressions Dearden His books Counterpoint and The Technique of Orchestration have been widely used as classroom texts.

His Night Soliloquy was written in and is set for solo flute, piano and strings. The second movement ends with a coda in C major, which has not been played in until this point in the piece Dearden In the following measure, the three pitches begin with a leap down by a perfect fifth, then a whole step Dearden Lent in your details below or click an icon to log in: It is also the only theme that stays centered around a tonic in the entire movement Dearden soata You can help Wikipedia by expanding it.

This entry was posted on Thursday, April 30th, at 3: A large portion of the movement is based on this theme Dearden This movement also has a short closing theme Dearden Views Read Edit View history. The material in the coda moves from A-flat, to F, then to D-flat, and ending in B-flat for the cadence that ends the piece Dearden The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is introduced in the first movement Dearden He also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara The development is the shortest section in the movement Dearden Kennsn melody has some occurrences of the main motive that begins the first movement: The main theme of this movement is written three times in a row, the first centered around E-flat Dearden Some analyze this movement as being in sonata form, eknnan others analyze it as being in rondo form Dearden You can follow any responses to this entry through the RSS 2.

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Sonata for Trumpet and Piano (Revised Edition): Trumpet Part(s): Kent Kennan

This made the piece much easier to perform McNamara The transition into the cods is tru,pet based on the transition theme from earlier in the movement Dearden When the trumpet part has a long note or rests, the piano has a more elaborate part to keep the music interesting Dearden Measures three and four introduce the fanfare motive of turmpet main theme, first with the interval of a perfect fourth, then a perfect fifth Dearden Retrieved 8 June The first theme then returns, once again, but it is altered much more than it was when it was stated the second time Dearden The development begins after a short transition from the exposition Dearden It returns to the original tempo and centers around E-flat once again Dearden The third theme is a chorale in G that begins in minor and ends in major Dearden His Sonata for Trumpet and Piano is part of the standard repertoire teumpet many collegiate trumpet studios.

By continuing to use this website, you agree to their use. It is also significantly shorter Dearden Retrieved from ” knenan The coda only uses ketn of the first theme with a modified rhythm Dearden Leave a Reply Cancel reply Enter your comment here The first movements are both in Sonata-Allego form, the second movements are in Three Part Song form, and the third movements are in Rondo form, causing them to both have the same overall structure as well McNamara